After reading Umberto Eco's Infinity of Lists, thoughts of the wunderkammer reappeared (as they often do) in addition to the presentation of collections based on old curiosity cabinets. Here are some images that I have pondered over the past couple weeks featured in Eco's book.
Johann Georg Hainz, Collector's Cabinet, 1666, Hamburg, Hamburger Kunsthalle
From Eco (page 203): "Most of what remains of the Wunderkammern
are pictorial representations or etchings in their catalogs. Sometimes
they were made up of hundreds of tiny shelves holding stones, shells,
the skeletons of curious animals and sometimes masterpieces of the
taxidermist's art capable of producing non existing animals. Other times
they are cupboards, like miniature museums, full of compartments
containing items that, removed from their original context, seem to tell
senseless or incongruous stories."
Reliquary Urn with pebbles from the Holy Land, 17th century, Paris, Musée des Civilisations de l'Europe et de la Méditerranée
A place that I must visit someday: the Museo del Tempo Ozzano Taro.
The three images above come from this source.
Part of me wants to spend years toiling away on a site-specific wunderkammer that no one is aware of much like Marcel Duchamp's Etant Donné.
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