Showing posts with label Robert Smithson. Show all posts
Showing posts with label Robert Smithson. Show all posts

Thursday, May 5, 2016

Completing the Circle: Amarillo Ramp to Spiral Jetty


Once upon a time in 2009, I selected a part (mainly rocks and sometimes mud) of each earthwork I visited and transferred it to the next: Spiral Jetty to Sun Tunnels, Sun Tunnels to Double Negative, Double Negative to the closest I could get to Roden Crater, Roden Crater to Lightning Field, and Lightning Field to Amarillo Ramp. This presented the anticipatory return to Spiral Jetty to deposit the rock from Amarillo Ramp at an unknown point in the future. Enter a myriad of other concerns that prevented me from taking the exact piece back to Spiral Jetty, or the Amarillo Ramp rain out last May which did not facilitate selecting a new one, and we come to 2016.


Somewhere around here in January while walking Amarillo Ramp, I chose a fragment of red sandstone and it resided....


... in my car's change drawer, bouncing and rattling around over the thousands of miles I trekked across the West since then.


I did not have any intention of visiting Spiral Jetty again this year, but when I discovered I was only 1.5 hours away from it last weekend, I had to make the trip. Note: never visit Spiral Jetty on a Sunday afternoon in the spring as the parking lot was overloaded, teenagers were complaining that their parents dragged them all the way out in the middle of nowhere to see this, and I witnessed a dog peeing on the earthwork (!). None of this qualified as a contemplative experience.


Amidst the hoards, I buried this at the very center. In doing so, I completed a task overdue, I said goodbye to a collaboration long over, and I marked the end of visiting earthworks until another potential school field trip in the future (or Roden Crater miraculously opens to the public for less than a $6500 ticket price before I am dead).

Tuesday, May 3, 2016

Amarillo Ramp Visit #2


Earlier this year, I visited Robert Smithson's Amarillo Ramp for the second time since 2009. The cold January sunshine and the solidly packed earth were welcome events after a failed attempt in May 2015 on the earthworks road trip with Ball State University. I learned so much about the piece through the extensive knowledge of Jon Revett that I am now able to fully understand how it was built...


evidenced by the original stakes ...


... and where the water from the lake bed was once drained ...


 ... the remains of where Robert Smithson's plane went down ...


... and the rock that serves as a memorial to the artist who was in the process of creating this earthwork.


There are still traces of LBK, the former "face" of the ramp but thankfully his signature neon green was primarily out of sight.


The most amusing remains were a giant teddy bear that resided under a tree for years until coyotes ripped it to shreds a day or two earlier. I departed wondering if the cotton stuffing will coat the cacti as long as the silver and green paint.

Tuesday, June 16, 2015

Earthworks Road Trip Through the Binoculars

The theme that keeps on giving...



Two versions of the Ant Farm's Cadillac Ranch in Amarillo, Texas.


Chinati Foundation, Donald Judd's Concrete Sculptures (so blurry it hurts)


Marfa Lights Observation Building at Sunset (these are the only Marfa Lights we saw and they were photographed from a telescope)

Imagine Walter De Maria's Lightning Field at sunset here.


Very Large Array, Socorro, New Mexico


South Kaibob Trail, South Rim of the Grand Canyon


Wupatki National Monument, Arizona



Michael Heizer's Double Negative with and without scale reference.


Nancy Holt's Sun Tunnels (ideal for the format)


Robert Smithson's Spiral Jetty

Monday, June 15, 2015

Spiral Jetty - Three Visits in 28 Hours


The evening of 18th May. The horizon is straight. The vehicle is crooked.


View of Spiral Jetty through Trevor's phone during the rainstorm on the evening of the 18th.


I take this photograph every visit but this time I forgot to have someone photograph me.


The sky over the top of Spiral Jetty while standing in the middle (for Kristin Reeves). 


During the rainstorm on the 18th May.


Steamed window #1.


Steamed window #2 (both of the above on the 18th May).


Morning of the 19th May.


Practice/demo jetties on the evening of the 19th.
 

 Sunset on the 19th May.

Tuesday, May 5, 2015

Off to Amarillo


Robert Smithson's study for Amarillo Ramp

Odds are high we will be rained out and unable to visit the Amarillo Ramp tomorrow after we arrive in Texas. I will be blogging here and on the Space, Land and Concept in Art of the American West blog. Let the journey begin.

Wednesday, March 25, 2015

Satellite Views of Land Art

I rediscovered this link recently when wondering what a satellite view of Lightning Field looks like (not much as it turns out). Wishing I had thought to incorporate this perspective in the 2009 earthworks project but happy I am able to use it as research this year.


Michael Heizer's Double Negative


Robert Smithson's Amarillo Ramp
 

Nancy Holt's Sun Tunnels

Tuesday, December 9, 2014

Forever bouncing around from one thought to the next...

Earthworks are again entering my life as my colleague, Lara Kuykendall and I prepare to teach a course called "Space, Land and Concept in Art of the American West." Today, I saw this video documenting Julian Sand's visit to the Spiral Jetty. There will be more posts as I revisit this genre of art and contemplate whether or not I will be making work in response during another visit in May. Part of me is hoping that is the case.




Link via.

Wednesday, September 18, 2013

Tacita Dean, Robert Smithson & Postcards



Tacita Dean, Rozel Point, Great Salt Lake, Utah, 1997/1999


Sheila tweeted this link to a Tate interview of Tacita Dean discussing JG Ballard, Robert Smithson and Spiral Jetty last week. Dean discusses how different times are from 1997 when she first searched for Smithson's earthwork in the Great Salt Lake. In addition, she elaborates on her interest in the connection between the author and the artist and their relationship with Spiral Jetty. Also of note is her discussion of overpainted postcards.


  



Tacita Dean, c/o Jolyan, 2012-2013
100 found postcards of pre-war Kassel, hand-painted with gouache

Sunday, January 27, 2013

Emoji Art History: The Not So Serious Side Project (Part 1)

It began during finals week at the end of last semester while lying in bed unable to sleep. Deliriously I began recreating works of art with the Emoji app on my iPhone and posted 18 of the results on Instagram. I stopped for a month but kept thinking of new ones. Five weeks later with the new Postcard Collective Winter submission deadline looming, I revisited it. I settled on a form, deciding that I would simulate texting the artist at the top and include only the title of the artwork below. There are many limitations of Emoji - unfortunately there are not enough icons to create some of my favorite artworks (I am still wishing I could do more with Duchamp). Here are 28 in no particular order with a list of 15 others to attempt (coming soon).



Jacinda Russell, Emoji Art History: David Hockney



Jacinda Russell, Emoji Art History: Walter De Maria


Jacinda Russell, Emoji Art History: Yves Klein (with a little help from a friend)


Jacinda Russell, Emoji Art History: Wayne Thiebaud



Jacinda Russell, Emoji Art History: Vincent van Gogh


Jacinda Russell, Emoji Art History: Sol LeWitt


Jacinda Russell, Emoji Art History: Sherrie Levine


Jacinda Russell, Emoji Art History: Roy Lichtenstein


Jacinda Russell, Emoji Art History: Robert Smithson


Jacinda Russell, Emoji Art History: Maurizio Cattelan


Jacinda Russell, Emoji Art History: Mark Di Suvero


Jacinda Russell, Emoji Art History: Marcel Duchamp


Jacinda Russell, Emoji Art History: John Baldessari


Jacinda Russell, Emoji Art History: Jeff Koons


Jacinda Russell, Emoji Art History: Janine Antoni


Jacinda Russell, Emoji Art History: Henri Rousseau


Jacinda Russell, Emoji Art History: Grant Wood


Jacinda Russell, Emoji Art History: Georgia O'Keeffe


Jacinda Russell, Emoji Art History: Frida Kahlo


Jacinda Russell, Emoji Art History: Felix Gonzalez-Torres


Jacinda Russell, Emoji Art History: Eleanor Antin


Jacinda Russell, Emoji Art History: Ed Ruscha


Jacinda Russell, Emoji Art History: Damien Hirst


Jacinda Russell, Emoji Art History: Christian Marclay (made while staring at Marclay during an artists' conversation at the Wexner Art Center last night)


Jacinda Russell, Emoji Art History: Andy Warhol




Jacinda Russell, Emoji Art History: Edvard Munch




Jacinda Russell, Emoji Art History: Maya Lin



Jacinda Russell, Emoji Art History: Tom Friedman

One of my favorite parts was pretending for a few brief minutes that I did indeed have all these artists as contacts in my phone.