Showing posts with label Clear Water Samples. Show all posts
Showing posts with label Clear Water Samples. Show all posts
Saturday, September 10, 2016
Clear Water Samples: This Year's Additions
So far in 2016, I have collected clear water samples from the North and South Island of New Zealand, the Oregon Outback, the Columbia River Gorge, Lake Tahoe, and Brush Creek, Wyoming. I even found a photograph that my grandmother took from a family vacation in 1928 featuring one of the falls where I gathered water. Still not sure what (if anything) to do with it but it's still up for consideration.
The box is almost full (I've come along way from here). I began this activity in Italy in 2011, never knowing when it would end and what it would eventually contain. There are seven more bottles left and I don't care if it takes the rest of my life to fill. I want the locations to be special and once the box is complete, the project is done.
The fear of dropping this and losing them all ran high as I carried it across campus to the studio this week.
These three are some of my favorites: the floating pumice from Lake Taupo (North Island, NZ), the illicit collection from Hearst Castle, and the Arctic Ocean, a place I never imagined I would see until last year. I have a couple ideas for the remainders but no plans for all seven. Here's to spontaneity and the unknown. A project like this never had direct parameters but I am happy to see that it's getting closer to the end.
Sunday, November 8, 2015
Belated San Diego Post
I am slowly knocking out the last of the U.S. destinations in the Autobiography in Water series. Last August, I visited my parental homeland, floated giant photographs in La Jolla, Del Mar, and Coronado, collected water samples and buried a chunk of Camden's Rock. I spent my birthday with my cousin Mark visiting the Museum of Contemporary Art San Diego to see the Nicole Eisenman exhibition and the expansive sculpture garden.
Nancy Rubins, Pleasure Point, Museum of Contemporary Art San Diego
Ed Ruscha, Detail of Brave Men Run in My Family, Museum of Contemporary Art San Diego
Detail of Nicole Eisenman's installation in the exhibition Dear Nemesis, Museum of Contemporary Art San Diego
Detail of Robert Irwin's installation 1º 2º 3º 4º, Museum of Contemporary Art San Diego
Pre-float with my Uncle Paul and cousin Mark (I cannot thank my family enough for their assistance during this task)
Camden's Rock was buried here at Coronado.
Water sample on top of the mound where Camden's Rock was buried, Coronado Beach
Nancy Rubins, Pleasure Point, Museum of Contemporary Art San Diego
Ed Ruscha, Detail of Brave Men Run in My Family, Museum of Contemporary Art San Diego
Detail of Nicole Eisenman's installation in the exhibition Dear Nemesis, Museum of Contemporary Art San Diego
Detail of Robert Irwin's installation 1º 2º 3º 4º, Museum of Contemporary Art San Diego
Pre-float with my Uncle Paul and cousin Mark (I cannot thank my family enough for their assistance during this task)
Camden's Rock was buried here at Coronado.
Water sample on top of the mound where Camden's Rock was buried, Coronado Beach
Sunday, August 16, 2015
Iceland Day 4: Hellissandur to Akureyri
A couple things to note about the above photograph: 1) the road in the background is a main thoroughfare (dirt) and 2) the economy of one pole functioning as a sign post, stop sign and mailbox holder. After leaving Hellissandur and backtracking over territory explored the previous day, we reached Breiðabólsstaður (pronounce that quickly). Our road atlas mentioned that Holger Cahill, the national director of the WPA and the briefly the acting director of the Museum of Modern Art, was born in a church here. This fact fascinated us because it was such a remote area so far away from the art world in the United States during the Great Depression.
The church was closed but we were able to experience the full force of the wind. I am standing next to a flag pole where the metal cord never ceased hitting the pole. Soon after, my brain was bouncing in unison with the noise that created.
We covered a lot of territory this day. We learned about tuyas here at a rest area overlooking Hunafjordur and Skagfjordur. They are flat topped volcanoes formed when lava erupts through an ice sheet (frosted angel food cake).
My first view of the Arctic Ocean was seen through a bathroom window in a coffee shop in Dalvik.
I didn't get the impression that much English was spoken here. It was a charming place and produced the most interaction with locals that we had experienced thus far.
We drove to this peninsula to see the Arctic Ocean and after a much needed cup of tea, we headed north to Ólafsfjörður. I obtained a clear water sample and tossed another chunk of Camden's Rock here.
It took a long time to talk myself into walking into the sea (one of the most intimidating experiences with water). [Photo by Donna Goedhart]
I never expected to collect water from the Arctic Ocean when I first began this project. It opened up a whole new avenue on how to finish the remaining bottles (hopefully completed by the end of 2016).
Cold and sandy feet (the things one does for Art).
It was also in Ólafsfjörður where I channeled my inner Alexis Pike and documented a mural in less than ideal light before departing.
Snowy mountains near Dalvik on the way to Akureyri.
If I had to do this trip all over again, I would have stayed an additional night in Akureyri. It was a charming city (second largest in Iceland) but we never broke the surface. It was used as a departure point and roaming around after sunset was all we were truly able to do. This bowling alley was a happening spot late in the evening and one of the few places open after 10 PM.
The letters H•O•M•E were popular window decorations throughout the country. I spotted them in the larger cities and smaller villages, always pointing to the living room inside.
Thursday, August 14, 2014
The Last of This Summer's Water Collections
James K. Russell, Long Beach, Washington
I asked my father to make a drawing in the sand. He found a stick from his yard and packed it in the car. He had no idea what he would make and neither did I. He thought this was much larger than it turned out to be and I envisioned it was closer to the water. Since my mother was a prominent feature in the Idaho photographs, I wanted my father to be a part of the project too. Note to self: I have skills convincing my parents to do things for my art without any forewarning.
The end product though the "ruffles" kept getting in the way. As with the residency's water photographs from earlier this summer, I am not sure if I will use many of these or what the final outcome will be. For now they are merely a collection and one day when I finish every location, they might transform into something else.
More from Long Beach.
Cannon Beach, Oregon (After Gerhard Richter)
Posing as we all do, Haystack Rock, Cannon Beach, Oregon
I will return to Cannon Beach to photograph on a day when it isn't so crowded and warm (yes, warm!) at some point in the future. The two images above document the location where this came from...
... (wishing it was completely full but knowing I can take it back).
You know what this means? I finished everything above the line on the list I made in April. Add a few locations I forgot from Idaho and last year's trip to Texas (which produced this and this) and I am over the half way point in the autobiography of water series (I need a real title, damn it). I hope to complete the final destinations by Summer 2016. Yet another long term project in the making.
Monday, August 4, 2014
Rósa Gíslasdóttir
Rósa Gíslasdóttir, The Doubts of Future Foes
While on my residency in May, I met an artist named Samuel Paden who suggested I research the artwork of Rósa Gíslasdóttir, an artist from Iceland. Her series The Doubts of Future Foes concentrates on an everyday object, the bottle which relates to my Clear Water Sample series.
Rósa Gíslasdóttir, The Doubts of Future Foes
Rósa Gíslasdóttir, The Doubts of Future Foes
"She is fascinated by artifacts that have been produced and utilized for millennia. In the course of a long development, the forms of plates, jars and bottles have become fixed... She discovers the 'perfect form' in the object of our immediate environment, and our waste, making her selection on the basis of aesthetic criteria. A plastic Coca-Cola bottle, for example, is taken to represent a disturbing product of waste and, simultaneously, a precious form." [via]
Wednesday, June 4, 2014
Two Days on Lake Pend Oreille
I am still processing the Lake Pend Oreille photographs and will have more to say soon. So many memories are bottled up in a couple locations on one large lake splayed across the Panhandle.
Cape Horn Road, Bayview, Idaho
Navy sonar barge, Bayview, Idaho
Cape Horn / Bayview, Idaho
Cape Horn / Bayview, Idaho
Clear Water Sample for the specimen box, Cape Horn / Bayview, Idaho
My favorite documentation of Camden's Rock at Cape Horn / Bayview, Idaho
Lake Pend Oreille through the binoculars, Cape Horn / Bayview, Idaho
Clear water sample specimen bottle in the water (the bubbles give its location away)
This tugboat has rested here long before I was born and I was shocked to discover it was still there (the accidental trespassing view).
The normal view from every photograph of the past.
Sunnyside looking East.
Driftwood marker, Sunnyside
Sportsman's Access, Sunnyside
Beyond Hope, Idaho
Beyond Hope, Idaho
One final photograph from City Beach, Sandpoint on the final night before leaving for Canada.
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