I'm starting out the New Year with counting. I have reached my cat quota and now I must purchase a new scanner since the one I have can't update to Lion. 3670 cats here I scan. Many thanks to gifts like this appearing randomly in my school mailbox:
and those from a stranger whose name I couldn't read (friend of Amelia):
The update on the lists that I keep collecting (for reasons which I hope unveil themselves soon):
Certainly 2012 will bring more additions to this stash.
Saturday, December 31, 2011
Thursday, December 29, 2011
"Something Between Want and Desire" Turns One!
Jodi Bieber, Sunday School, Nababeep, Northern Cape, 1998-99
I moved all the Nine Fake Cakes and Nine Bodies of Water posts from In Search of the Center to this site. Now it looks like I've had this blog for over a year but 29th December 2010 was indeed the first day Something Between Want and Desire went public. I haven't grown bored yet with this blogging business so here's to another year of seeing, creating, and thinking about art. Thank you for following!
Wednesday, December 28, 2011
Sunday, December 25, 2011
Saturday, December 24, 2011
Wednesday, December 21, 2011
Tuesday, December 20, 2011
Some Inspirations for this (long overdue) Self-Published Book I Must Make This Week
My Nine Fake Cakes and Nine Bodies of Water self-published book is now five months overdue. Here are some artist's books that have inspired me in terms of materials, layout, and presentation.
Stephen Shore, American Surfaces, 2005
Daido Moriyama, Bye Bye Photography, 1972
Lorinczy Gyorgny, New York, New York, 1972
Sophie Calle, The Doctor's Daughter, 1991
Paul Eluard and Man Ray, Facile, 1935
Stephen Shore, American Surfaces, 2005
Daido Moriyama, Bye Bye Photography, 1972
Lorinczy Gyorgny, New York, New York, 1972
Sophie Calle, The Doctor's Daughter, 1991
Paul Eluard and Man Ray, Facile, 1935
Monday, December 19, 2011
A Sneak Peek at Chris Toalson's Postcard Collective Challenge
Sunday, December 18, 2011
Working on an Exhibition Proposal (featuring lots of paper bags)
View from Hannah's studio:
David's new paintings:
Hannah's new painting that has nothing to do with this exhibition proposal but reminded me of hay bales behind an electric fence (at a Midwestern penitentiary filled in H):
Hannah and David sorting through work to be photographed:
Writing a proposal (if Jen wasn't sitting against the window with poor lighting conditions, I would have sneaked an image in of her too):
Here's to hoping something materializes (soon).
David's new paintings:
Hannah's new painting that has nothing to do with this exhibition proposal but reminded me of hay bales behind an electric fence (at a Midwestern penitentiary filled in H):
Hannah and David sorting through work to be photographed:
Writing a proposal (if Jen wasn't sitting against the window with poor lighting conditions, I would have sneaked an image in of her too):
Here's to hoping something materializes (soon).
Autobiography: A Paragraph (not quite artist statement)
The ongoing series tentatively entitled Autobiography utilizes objects to chronicle the passing of time. Autobiography monumentalizes the mundane, elevating sagging swimsuits and stained lunch bags into chronological markers that define a life. A significant move is indicated by the changing collection (each city lived in requires a different object collected for that time period). Other important elements include: changes in employment, the bridge from adolescence to adulthood, and hereditary comparisons between generations.
Printing on Very Little Sleep
I spent yesterday prepping for the meeting with Hannah, David, and Jen today to discuss a potential show centering around "containers." I made working prints of all the lunch bags, clear water samples, and 5 objects photographed before thrown away. This morning I am running around collecting 3-D materials to bring as well. Not sure if I am fully prepared to think about this series yet but it's moving forward whether or not I am ready. I have a very good idea what it is about and will be posting that paragraph shortly.
Each were printed at 8.5" x 11" but the choice for which one to print large at various sizes was in between these two.
11" x 8.5" or 19" x 13" or 30" x 20"? I can't lie. The big one wins first place for me but that may change if I'm displaying them in a grid of 12.
Each were printed at 8.5" x 11" but the choice for which one to print large at various sizes was in between these two.
11" x 8.5" or 19" x 13" or 30" x 20"? I can't lie. The big one wins first place for me but that may change if I'm displaying them in a grid of 12.
Saturday, December 17, 2011
Glen Ligon's "Graduating Girl (Version 2) #1," 2000
Friday, December 16, 2011
Thursday, December 15, 2011
Mark Flood (No Lace)
I've been thinking about Mark Flood's paintings lately (above: Wait Here, 2010). I was happy to see him return to humor that isn't indicative in his lace paintings of the last decade (although the lace black panther I once saw in his studio remains one of my favorite pieces).
Mark Flood, Another Painting (Leaves), 2009
Mark Flood, 25 Additional Paintings, 2009
His overt text references sum up how I feel right now after grading and grading and meeting and meeting and grading students for what feels like every last minute of the entire month. Sometimes it's great to have it spelled out, especially at 1:39 AM.
Wednesday, December 14, 2011
Mundane Tasks: Answering Email & Wrapping Presents
I spent many hours of my evening attempting to get my inbox down to a manageable size (under ten). I failed but there is still tomorrow. When Google searching "answering email," the following image pops up (which is appropriate in a bizarre way):
Image via.
I certainly fail at this in the 32 Most Important Email Etiquette Tips:
#6. Answer swiftly.
Ideally it would have been nice to finish wrapping presents instead. Photographs by Sarah Hobbs always are appropriate in times like this.
Sarah Hobbs, Untitled (Overcompensation), 2006
Image via.
I certainly fail at this in the 32 Most Important Email Etiquette Tips:
#6. Answer swiftly.
Ideally it would have been nice to finish wrapping presents instead. Photographs by Sarah Hobbs always are appropriate in times like this.
Sarah Hobbs, Untitled (Overcompensation), 2006
Monday, December 12, 2011
More Mountains
Because it's that time of year when all I can do is post other people's art because I have no time to make my own AND mountains represent escape (and home and and and).
Beth Hoeckel, Cream
James Luckett, Kamakura Mountain, 2011
Lucia Ganieva, Dreaming Walls
Jeff McLane, From New Promise Land
Jeff McLane, From New Promise Land
Sherwin Tibayan, Best General View
Deborah Hamon, From North
Clay Lipsky, Between Here and Nowhere
Henri Cartier-Bresson, Werdgasschen, Zurich, 1966
Matthew Rose, Alone, 2009
Sonja Braas, Forces #32, 2003
Beth Hoeckel, Cream
James Luckett, Kamakura Mountain, 2011
Lucia Ganieva, Dreaming Walls
Jeff McLane, From New Promise Land
Jeff McLane, From New Promise Land
Sherwin Tibayan, Best General View
Deborah Hamon, From North
Clay Lipsky, Between Here and Nowhere
Henri Cartier-Bresson, Werdgasschen, Zurich, 1966
Matthew Rose, Alone, 2009
Sonja Braas, Forces #32, 2003
Baked Goods with a Concentration on Doughnuts
Donut Queen, Link courtesy of Amelia
Martin Parr, From Mexico, 2006
Martin Parr, From Mexico, 2006
Martha Rich, Chocolate Electric
William Eggleston, From Before Color, 1965-73
Sandy Skoglund, Cookies on a Plate, 1978
Daniel Stier
David Politzer, Baked Goods Docent, Canfield
Rebecca Sittler, Donuts of Long Beach
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