Something New is Brewing

An antipode is defined as the part of the earth that is diametrically opposite. The term was first used in 1549 in relationship to Australia and New Zealand’s position on the globe, contrasting with Western Europe. I will approach it as the place or condition furthest from “here.” I am searching for physical and metaphorical antipodes and will represent them through photographs created in the studio, a fabricated landscape, or their exact location on earth. In its most simple terms, my interpretation will show how "here" affects "there" and "there" impacts everywhere.

This is What a Good Mail Week Looks Like in 2017

Times have changed and in November, I made many vows for the next four years as I struggle to place what art I should make in this present reality and my role within it. After the outpouring of interest from friends and strangers who purchased Icelandic Blue Pantone 15-3908 last fall, one small gesture I could easily achieve (and maintain) is to support artist-run publications by purchasing one a month. Some of those appeared in the mail two weeks ago along with a couple other surprises.

First a surprise - a catalog from the archives at the Center for Creative Photography sent to me after my last research trip to Tucson.

Amy Elkins's Black is the Day, Black is the Night arrived in the most fitting black mailer. The combination of handwritten text, scanned letters, digital manipulations and photographic recreations about prisoners on death row will cause anyone to rethink their views on capital punishment (the most appropriate first purchase with this new resolution).

Ball State University also owns a copy (spreading the love x 2).

My friend Kelli introduced me to Mike Slack's Shrubs of Death in the fall. Always a fan of typologies (who wouldn't love awkwardly trimmed bushes found in cemeteries?), I was shocked to discover they were all photographed in Muncie, Indiana. Next on the list: bringing this series to the David Owsley Museum of Art in 2018. It came with a covetable print (thanks Mike!).

A sweet little notebook (surprise #2) also appeared in the post office box from Ernst.

Old photographic manuals and advertisements are interspersed with blank paper. I am not sure I can use it as it is a little too perfect without my messy scrawl inside.

I also bought a Melissa Livermore print in January to help support her year long art adventure in Paris and I look forward to framing it someday in the future. I quickly scooped up Peter Happel Christian's Nearly a Million Sunsets as 100% of the proceeds went to the Sierra Club. In addition, I participated in a couple protests, called and faxed a few senators, and gave money to two organizations that make the world a far better place. I am trying and I have no plans to stop.